The CanCon Catalogue

If you've never been to the Alix Goolden Hall in Victoria, British Columbia, then consider yourself among those who have not experienced one of the better concert venues around. And if you've never seen Jill Barber in concert, then consider yourself among those who have not experienced one of Canada's better live performances. And so, if you were among those who saw Ms. Barber at the Alix Goolden last night, you may consider yourself lucky.

The show was opened by a game David Myles, who entertained the crowd with the story behind the song he wrote to convince his wife to marry him ("I wrote it five years ago, and we got married last fall, so it didn't work as well as I wanted it, too") and how despite being an East Coaster, failed to visit Cape Breton for years because he had it so built up in his mind. An old friend of Barber's, he was a good fit for the opening act.

Barber, for her part, took to the stage with a four piece band that included a stand-up bass and multi-instrumentalist (violin, clarinet, saxophone) and a glittery backdrop that was, apparently, the first thing she ever bought online. I was curious as to how she was going to mix the fifties soul sound of her most recent disc, "Chances" with the singer-songwriter-country-folk fare of her earlier releases, but she pulled it off ably. She started with a couple of "Chances" songs, before donning a guitar and delving into her back catalogue. She switched back and forth throughout, sometimes losing band members for the more intimate numbers. What gave it all continuity was her gift for putting fresh legs on old themes (love found, love lost, love never had), and her formidable pipes. Powerful but never overdone, she can lay claim to being a female chanteuse in the tradition of Patsy Cline.

The highlight of the night came with the last song before the inevitable encore, this is when she pulled out "Chances" first single, the propulsive, call-and-response blues of "Oh My My." With the audience joining in, the band going all out, and the church setting, you could easily picture a similar sound coming out of a southern gospel church circa 1923. Alas, that's the only song she has in that style, I'm sure if she wrote a few more, there would have been dancing in the aisles. As it was, there was simply a rush to the merchandise table. Definitely a show to check out.

Jill Barber plays Vancouver tonight at The Rio Theatre and in Penticton, BC, on April 5 at the Dream Cafe.